Distributor:        Booktopia/Amazon                 
Release Date:    2016  
Running Time:   40.11secs
Website:    http:/www.DyanGarrisMusic.com 

 Mystics Nine 

Reviewed By  Janet Mawdesley       April 10, 2017


Dyan Garris is many things to many people, but when she is totally involved with her music, she is only one thing: that of the medium to bring forth love and joy through the wonderful gift of music. In this album she has opened the book of Akashic Records. By doing so has been allowed to interpret only one chapter into what is an inspired choice of music styles, representing the ebb and flow of life, the good, the bad, the happiness and the grief.

To be able to listen to life in the various modalities transcribed is something very special as each of the pieces, aptly titled, gives the listener an insight in what is to come.

The introduction, Mystic’s 9 is a little spacey, up tempo and very modern in interpretation but when followed by Mystic Sea, a peaceful and mellow piece, you are immediately into the vibe of the entire album.

A lovely vocal rendition of Muse’s Gift from Amber Norgaard, adds an unexpected element as you are invited to ‘Come, leave your troubles by the Spring, and Listen, listen, listen, to the gift the muses bring’.  Jeff Oster joins in on flugelhorn and trumpet in the evocative Mystical adding an elemental change of pace and richness. Will Clipman adds his almost ethereal percussion to the mix on Mystic Kiss.

Heaven’s Gate once again brings Dyan Garris back to the keyboard for this joyful composition as she trips delicately over the keys, with some amazingly interesting synth mixed in, to give yet again that sense of traveling through time, endless space, and timeless peace.

Cloud 9 and East on 9th sees Joe Bauer adding a little dash or panache on drums to these nicely up tempo pieces which create a change of place and time.

With the final composition Water for the Soul you are encouraged to gently return to this world, refreshed, renewed and relaxed.

As a child commencing her journey in the world of music Garris’s teacher said to her, ‘Music is not about seeing. It is about feeling”. With this collection of evocative pieces ‘music to feel, not to see’ has been perfectly presented.